Learn the Blues Scale for piano blues...

4 Steps to Learning How to Play Any Song on the Piano

1. Determining the melody - Melodies determine what chords will be played. If you can use your ear to figure out what notes are being played in the melody, you are 1/4 on your way to learning a song! More resources on learning how to determine melodies

2.Harmonizing the melody - Once you have figured out the melody (using some of my techniques on the resource page), it is time to harmonize it. This is simply choosing various chords to accompany the melody. There are several techniques and tricks to doing this. More resources on learning how to harmonize melodies

3. Altering Chords - This is the best part! Now that you have strategically figured out the melody to a song and have harmonized it, altering your chords to produce certain sounds is the next step. If you were playing gospel music, you would alter your chords differently than if you were playing classical or country music. More resources on altering chords

4. Listening - After you have determined the melody, harmonized the melody, and altered some of your chords, there are various techniques you can use to make sure that your song sounds right. More resources on listening techniques

I personally recommend "The Secrets to Playing Piano By Ear" 300-pg Course and through my relationship with Jermaine (the author of this course), I've been able to get him to throw in a few bonus items (3 additional piano software programs). He has taught literally thousands of musicians how to play the piano by ear. If you understood just half of what he discussed above, you'll definitely benefit from his 300-pg course. Click here to learn the secrets to playing absolutely any song on the piano in virtually minutes! I highly recommend it.

This lesson on the basic blues scale for piano blues will cover how to find the right “blue notes” that are added to the major scale and will give some suggestions on how to use this new scale to improvise on the 12 bar blues progression. The basic formula for the blues scale can be used in any key but some keys will lend themselves easier to play on the piano.

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So you've got a portable keyboard, learned a handful of useful chords, and packed up all your gear to go to your first jam session with your friend the drummer and some guys he knows who play guitar and bass.

Then comes the question, What do you want to play?.

Everyone looks at each other and finally some one says Blues in C, or G, or A, or E. Guitarists seem to love the keys of A and E.

The guitarist plays his favorite B.B.King licks for a couple of choruses of the 12 bar blues progression, somebody sings "Nobody loves me but my Mother and she could be jivein' too." and then everyone looks at you!

Time to pull out the Blues Scale you learned online.

And just what is a that scale?

I like to look at it as a major scale with a few added "blue" notes, namely a flatted third, a flatted fifth and a flatted 7th.

My experience taught me that knowing that little piece of theory did little to help me actually play the blues.

The graphic below show the blues scale in the key of C which is one of my favorites keys both for teaching and playing. More on the favorite key thing to come.

For a pianist, Blues happens between the cracks in the keys

Let me explain.

The blues was originally a vocal styling. It was about lost love and heartache. Hard work and pain.

The people who sang the blues sang from the depths of emotion and the voice, being a most versatile instrument is able to bend notes and actually sing between the cracks on the piano.

While its true that we can't bend notes on a traditional piano (at least not without breaking something) we can get a similar effect by combining the flatted third with the major third in a chord or sliding a finger quickly from the flatted note to the natural note.

In the scale pictured above I would add the natural notes E and G as well,(except in minor blues where playing the natural third will get a quick icy stare from the lead guitarist.)

Getting Started...

If you have never improvised before it's a little like musical finger painting in that you get to play what you want. This can feel uncomfortable at first if you are used to only reading written music.

In your right hand...

I suggest just picking a few notes to start with. Keep it simple to start. Try RH thumb on G, 3rd finger on Bb, 4th finger on C.

Or RH thumb on C, 3rd finger Eb, 4th finger, G.

The notes I chose are taken from the C blues scale but will function even when played on top of the F7 and G7 or (IV7 and V7} chords.


If something you play sounds good to you, REPEAT IT!

If something you play sounds bad to you DON'T REPEAT IT.

Make lots of mistakes!! Just don't repeat them.

In your Left hand....

The music below is a simple suggested left hand basic "boogie" pattern you can use to begin to get the feel of playing the blues.

Best Home Study for "Ear Players"

After checking out dozens of home study courses that teach you to play by ear and focus on chord progressions I am convinced that the folks at Hear and Play have the best, most well rounded program available for just about all styles of music from Gospel to Jazz. Read my review or visit Hear and Play for more information.

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